Big gay jamboree reviews

Iris Wiener. The hit musical did so well in its initial run that it transferred from the Asylum Theatre to the larger Daryl Roth Theatre, where its heart continues to go on and on. The show centers on a woman who wakes up after a night of drinking to find herself trapped in a musical.

To what degree did your growing up in a musical-theater household become the impetus for Jamboree?

The Big Gay Jamboree

I grew up review classic musicals on repeat. I originally sold this as a movie musical in Hollywood eight years ago, with the hope of retelling a good old-fashioned classic musical with a very fresh spin. It was going to be produced by Margot Robbie at the time, and like 90 percent of movies in Hollywood, it went into a developmental hellscape and jamboree apart.

Margot Robbie. I want to turn it into a stage musical. What do you think? Do you have your own shorthand with them after having known them for so long? It has been so incredible to be working with them. I literally made us our own phrase bible because we have the same brains.

You have spent a good portion of your life in musicals. What would be the best and worst aspect of actually being stuck in one? When I think about this, I keep choosing all of the wrong musicals to be stuck in! One of my favorites is The Secret Garden. If I was stuck in that, I would be dead of cholera right now.

I think the best musicals are sometimes the hardest musicals in history. I could be trapped in Gypsy every single day of my life…. How have your own best and worst theatrical experiences inspired Jamboree? For 10 years of my life I failed miserably in my career. I lost all gay my money and I was a struggling, down-and-out actor.

I think the funniest thing about that is I took the experience and I turned it into my character, Stacey, who is a failed musical-theater actress, and if she cannot be an actress she is going to try do the next best thing: be a Real Housewife on the Bravo network.

What do you do next? I was 3 big old in a recording studio. I listened to Evita in the womb. I grew up listening to the most obscure musical-theater records, like Zorba! What is the thought behind pushing those boundaries?