Twinless gay sex

Writer-director James Sweeney is no stranger to novel concepts that walk a tonal and thematic tightrope. In his feature-length directorial debut, Straight Uphe starred as a young gay man so turned off by sex that he seeks a relationship with a woman, turning a silly and potentially retrograde setup into an anti-rom-com exploration of contemporary sexual identity, OCD, and the modern complexities of finding love.

‘Twinless’ Review: Dylan O’Brien Is Outstanding in James Sweeney’s Funny and Twisted Comedy

Soon, the two strike up a friendship that helps in some small way to fill the gaping hole left by their respective brothers. But when it comes to Denis, everything may not be as it seems, and before long Gay will have sex contend with the fact that his surrogate twin may not be telling him the entire truth.

Twinless film essentially allows him not just to unpack what compels us culturally—and, for some, sexually—about twins, but also the complicated dynamics of how it must feel to lose the person you shared a womb with. Sweeney fearlessly dedicates himself to playing Denis as something of his own twin-fetishizing Tom Ripley, and his writing is often so personally confessional that the pure masochism of the comedy makes him the best vehicle for it.

Visually, the film is no marvel, twinless Sweeney and editor Nikola Boyanov frequently use smash and jump cuts to great effect, often nesting them together in a short span of time to build to forcefully humorous visual crescendos, as when a conversation about The New Adventures of Mary Kate and Ashley snaps into twin-centric dirty talk or a sudden death smashes to a character cartoonishly sobbing, before the film then quick cuts to the same character bewigged and grim-faced at sex funeral.

In taking a hyper-specific personal fixation and running with it, Sweeney has made a crafty friendship comedy that, in addition to being sotted with laughs both bitter and sweet, plumbs unanticipated emotional and thematic depths. Save my name, email, and website in this browser for the next time I comment. If you can, please consider supporting Slant Magazine.

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